Questionnaire administered during the exhibition at the Museum of Modern Art (MAMbo) by Julian Charrière — All We Ever Wanted Was Everything and Everywhere — to experiment with the thermo-cameras capable of detecting the sensations of the audience in a process of “sentiment analysis”. Some personal data were collected in the questionnaire (example: year of birth, gender and profession) and the emotional state of visitors before entering the exhibition. The mood of the visitors entering the exhibition was detected, recording a prevalence of positive emotions such as interest, happiness and excitement over negative emotions such as sadness, anger, fear, confusion and boredom. In general, the quality of the emotion at the entrance is pleasant (over 52 %) or neutral (almost 44 %). The data are significant especially in their comparison with the data collected by thermal imaging cameras.
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